Women & Performance: a journal of feminist theory is a peer-reviewed, triannual publication featuring scholarly essays on performance, dance, film, new media, and the performance of everyday life from interdisciplinary feminist perspectives. We encourage dialogue between varied fields of performance scholarship (performance studies; theater, dance, and music history and criticism; ethnography; cinema and cultural studies; queer and post-colonial theory), and explore critiques of race, ethnicity, class, sexuality, technology, and nation.

About Us:

Women & Performance was founded in 1983 by graduate students in the Department of Performance Studies at New York University's Tisch School of the Arts.  Since its inception the journal has operated as a feminist collective.  After self-publishing for 23 years, Women & Performance was acquired by Routledge, Taylor & Francis. 

For further information please visit our website at www.womenandperformance.org or contact
Women & Performance
665 Broadway, Suite 665
New York, NY 10012
USA

Peer Review Policy:
All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.

Disclaimer for scientific, technical and social science publications:
Taylor & Francis and Women & Performance Project Inc. makes every effort to ensure the accuracy of all the information (the “Content”) contained in its publications. However, Taylor & Francis and Women & Performance Project Inc. and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis and Women & Performance Project Inc.